About

A Los Angeles–based line producer and production finance professional, with experience ranging from indie to major studio productions.

I was born and raised in Israel. I found my love for film in my teenage years, when I could go to movie theaters with my friends, since my parents didn’t allow a TV in our home. It was a window into the world, and I wanted to be part of it.

When I moved to NYC, I found which production role fits me best—producing. I love how the numbers shape the story we're able to tell. Figuring out all the details on how to develop a project and making it a reality.

I got my break on Havana Darkness. I was hired as a project coordinator for a shoot, and by the end of it, I was the UPM. Since then, I've line produced and UPM'd features, TV series, commercials, and music videos across the US, Canada, and Mexico, including How I Got There (Line Producer, Mexico unit) and Welcome to Acapulco (UPM).

Eventually, I made a deliberate move into production accounting and payroll, working on major studio productions to learn finance from industry veterans and legends — studio finance, union payroll, proper accounting procedure, and how the bigger productions operate — gaining tools I was missing as an indie producer.

The combination of my two roles equips me with a more comprehensive understanding of both on production and finance sides of the film business.

For me, a good project always starts with the script — I'm drawn to character-driven stories, and I have a soft spot for dark comedy and drama. I'm focused on line producing feature films — what matters to me most is collaborating with the right team.

Outside of work, you'll usually find me on a soccer or pickleball court, catching a movie in theaters, or playing barista at home, one cappuccino at a time.